The additional agreement covers audiovisual products that contain copyrighted music, with music being the main content (for example. B, musicals, operas, concerts, etc.). Covermounts, bonuses and kiosk offers are not covered by the BCN`s standard agreements. Therefore, you must apply for a license and pay the copyright on a case-by-case basis. We assume that you are either a filmmaker or a songwriter; The agree model we provide in this kit is appropriate for either party and is not weighted to the interests of the filmmaker or songwriter. independent audiovisual production companies in Europe with proven experience. We also assume that the songwriter manages his own compositions and is not represented by or related to a music publishing house (such as Harry Fox). As mentioned in the document below, it is possible that another entity owns one or more of the copyrights that are involved in a music licensing agreement, and in this case you must ensure that the appropriate entities are involved. You can continue to use the information in this kit to guide you, but you may need to use a specific agreement provided by the music publisher, record label, etc. The information and agreement model of this Licensing Kit is intended to help filmmakers and musicians reach an agreement on the inclusion of a song in a film or video. The chord template is for a song recording that is already available. If the filmmaker wishes to record his own coverage, there are other issues to consider, which are discussed below; In this case, you may need an additional agreement. The BCN`s standard audiovisual agreements are generally the appropriate license for distributors of audiovisual products.
It follows that as a video/filmmaker or as a musician, it is important to understand how to obtain or give the necessary rights to a piece of music so that everyone is on the same page about how music is used, about the fees paid (if it exists) and other important notions. Knowing the basics of the music license is important to avoid conflicts – or worse, charges of infringement or other legal problems – that are particularly painful after shooting a movie. So let`s sum it up: if a filmmaker wants to use a specific recording of a song for his film, the filmmaker would make two agreements: a license to sync with the songwriter and a master`s license with the record holder. Below is an optimized Master/Sync license model.